Sony will be releasing the untitled Keke Palmer and SZA R-rated comedy on Jan. 24, 2025.
The TriStar Pictures title is directed by Lawrence Lamont from a screenplay by Syreeta Singleton.
The project came together from the CoCre lab at Sony Pictures. The lab was a previous pact between ColorCreative and Sony Pictures to source and incubate emerging, diverse screenwriters to develop and write their first studio feature based on original ideas.
Producing is Hoorae’s Issa Rae and Sara Diya Rastogi, ColorCreative’s Deniese Davis and Macro Film Studios’ Charles D. King, James Lopez, and Poppy Hanks. Singleton is co-producing. Big Boss’ Palmer and Sharon Palmer are executive producing. Macro Film Studios is also co-financing.
The supporting cast includes Lil Rel Howery, Janelle James, Keyla Monterroso Mejia, Maude Apatow, Katt Williams, Joshua Neal, Aziza Scott, Patrick Cage, and Amin Joseph.
The comedy will share marquees on its opening weekend with the Lionsgate Mel Gibson-directed Flight Risk starring Mark Wahlberg and Michelle Dockery, Angel Studios’ Brave the Dark, and IFC’s Neil Burger-directed Inheritance starring Phoebe Dynevor.
Source: Deadline
The highly anticipated results are in! BET has revealed the returning host and this year’s nominees for the 19th annual “BET Hip Hop Awards” 2024. Celebrating the best in Hip Hop from the past year across 17 categories and chosen by a prestigious voting academy of industry experts, this year’s show will be taped in an exciting, iconic new location in Las Vegas, NV, on Tuesday, October 8. Fat Joe, the Grammy® Award-nominated artist, actor, author, and media personality, returns as co-executive producer and host. “BET Hip Hop Awards” 2024 will air on BET on Tuesday, October 15, 2024, at 8 PM ET/PT.
“Joe Crack is back for the 3-peat, night night baby,” said Fat Joe. “It’s been a dream to host the ‘BET Hip Hop Awards’ the past few years and I’m looking forward to taking things to the next level in Las Vegas. We’re going to be in a new city and location, but the excitement and entertainment at the awards will be even bigger than ever.”
Megan Thee Stallion leads this year’s nominations with an outstanding twelve nods. Megan’s nominations include ‘Song of the Year,’ ‘Lyricist of the Year,’ ‘Hip Hop Album of the Year,’ ‘Hip Hop Artist of the Year,’ ‘Hustler of the Year,’ ‘Best Live Performer,’ ‘Best Hip Hop Video,’ ‘Sweet 16: Best Featured Verse,’’ ‘Impact Track,’ and three in the category for ‘Best Collaboration.’ Kendrick Lamar follows with eleven nods, including ‘Best Hip Hop Video,’ ‘Best Live Performer,’ ‘Lyricist of the Year,’ twice for ‘Song of the Year,’ ‘Best Collaboration.’ ‘Hip Hop Artist of the Year,’ ‘Video Director of the Year,’ ‘Impact Track,’ ‘Hustler of the Year,’ and ‘Sweet 16: Best Featured Verse’. Drake rounds out the top three nominees with an impressive eight nods. Cardi B, GloRilla, Metro Boomin, and Nicki Minaj each score seven nods. Future and Travis Scott tie with six nods each.
Other notable nominations include 21 Savage and 41, who received four nominations each. A$AP Rocky, Common, Lil Wayne, Pete Rock, and Sexyy Red each received three nominations.
“This year’s nominees exemplify the creativity and diversity of hip hop and the culture. We congratulate each nominee on their accomplishments and are excited to see how they will elevate hip hop artistry,” said Connie Orlando, EVP, Specials, Music Programming & Music Strategy at BET. “Thank you to our esteemed voting academy for your continued support and for selecting an outstanding list of hip hop luminaries who made 2024 a memorable year in music.”
See below for the complete list of the 2024 “BET HIP HOP AWARDS” Official Nominees:
BEST HIP HOP VIDEO
8 AM IN CHARLOTTE DRAKE
BAND4BAND CENTRAL CEE FEAT. LIL BABY
BENT 41 (KYLE RICHH, JENN CARTER, TATA)
BIG MAMA LATTO
BOA MEGAN THEE STALLION
ENOUGH (MIAMI) CARDI B
NOT LIKE US KENDRICK LAMAR
TYPE SHIT FUTURE, METRO BOOMIN, TRAVIS SCOTT & PLAYBOI CARTI
BEST COLLABORATION
AT THE PARTY KID CUDI FEAT. PHARRELL WILLIAMS & TRAVIS SCOTT
BAND4BAND CENTRAL CEE FEAT. LIL BABY
BONGOS CARDI B FEAT. MEGAN THEE STALLION
EVERYBODY NICKI MINAJ FEAT. LIL UZI VERT
FIRST PERSON SHOOTER DRAKE FEAT. J.COLE
LIKE THAT METRO BOOMIN, FUTURE, KENDRICK LAMAR
MAMUSHI MEGAN THEE STALLION FEAT. YUKI CHIBA
WANNA BE GLORILLA FEAT. MEGAN THEE STALLION
BEST DUO OR GROUP
¥$, KANYE WEST & TY DOLLA $IGN
2 CHAINZ & LIL WAYNE
41
COMMON & PETE ROCK
EARTHGANG
FLYANA BOSS
FUTURE & METRO BOOMIN
RICK ROSS & MEEK MILL
BEST LIVE PERFORMER
BURNA BOY
BUSTA RHYMES
CARDI B
DRAKE
GLORILLA
KENDRICK LAMAR
MEGAN THEE STALLION
MISSY ELLIOTT
NICKI MINAJ
TRAVIS SCOTT
LYRICIST OF THE YEAR
21 SAVAGE
CARDI B
COMMON
DRAKE
KENDRICK LAMAR
LIL WAYNE
MEGAN THEE STALLION
NICKI MINAJ
VIDEO DIRECTOR OF THE YEAR
20K VISUALS
A$AP ROCKY
CACTUS JACK
COLE BENNETT
DAVE FREE & KENDRICK LAMAR
DAVE MEYERS & TRAVIS SCOTT
DOJA CAT & NINA MCNEELY
OFFSET
SONG OF THE YEAR
AGORA HILLS DOJA CAT
BENT 41 (KYLE RICHH, JENN CARTER, TATA)
FE!N TRAVIS SCOTT FEAT. PLAYBOI CARTI
FTCU NICKI MINAJ
GET IT SEXYY SEXYY RED
LIKE THAT METRO BOOMIN, FUTURE, KENDRICK LAMAR
MAMUSHI MEGAN THEE STALLION FEAT. YUKI CHIBA
NOT LIKE US KENDRICK LAMAR
YEAH GLO! GLORILLA
HIP HOP ALBUM OF THE YEAR
AMERICAN DREAM 21 SAVAGE
EHHTHANG EHHTHANG GLORILLA
FOR ALL THE DOGS SCARY HOURS EDITION DRAKE
IN SEXYY WE TRUST SEXYY RED
MEGAN MEGAN THEE STALLION
ONE OF WUN GUNNA
PINK FRIDAY 2 NICKI MINAJ
UTOPIA TRAVIS SCOTT
WE DON’T TRUST YOU FUTURE & METRO BOOMIN
HIP HOP ARTIST OF THE YEAR
21 SAVAGE
CARDI B
DRAKE
FUTURE
GLORILLA
KENDRICK LAMAR
MEGAN THEE STALLION
NICKI MINAJ
PRODUCER OF THE YEAR
ATL JACOB
CASH COBAIN
HIT-BOY
HITMAKA
METRO BOOMIN
PETE ROCK
Q-TIP
THE ALCHEMIST
BEST BREAKTHROUGH HIP HOP ARTIST
41
310BABII
BOSSMAN DLOW
CASH COBAIN
LADY LONDON
SEXYY RED
SKILLA BABY
TOMMY RICHMAN
DJ OF THE YEAR
BIG VON
DJ D-NICE
DJ DRAMA
DJ KHALED
KAYTRANADA
METRO BOOMIN
MUSTARD
THE ALCHEMIST
BEST HIP HOP PLATFORM
BOOTLEG KEV
CLUB SHAY SHAY
COMPLEX
DRINK CHAMPS
MILLION DOLLAZ WORTH OF GAME
ON THE RADAR
THE BREAKFAST CLUB
THE JOE BUDDEN PODCAST
THE SHADE ROOM
XXL
HUSTLER OF THE YEAR
50 CENT
A$AP ROCKY
CAM’RON & MA$E
CARDI B
DRAKE
FAT JOE
GLORILLA
KENDRICK LAMAR
MEGAN THEE STALLION
SWEET 16: BEST FEATURED VERSE
21 SAVAGE GOOD GOOD (USHER, 21 SAVAGE & SUMMER WALKER)
A$AP ROCKY GANGSTA (FREE NATIONALS, A$AP ROCKY & ANDERSON .PAAK)
CARDI B WANNA BE REMIX (GLORILLA, MEGAN THEE STALLION & CARDI B)
DRAKE MELTDOWN (TRAVIS SCOTT FEAT. DRAKE)
J.COLE FIRST PERSON SHOOTER (DRAKE FEAT. J.COLE)
KENDRICK LAMAR LIKE THAT (FUTURE, METRO BOOMIN & KENDRICK LAMAR)
LIL WAYNE BRAND NEW (TYGA, YG & LIL WAYNE)
MEGAN THEE STALLION WANNA BE (GLORILLA, MEGAN THEE STALLION)
IMPACT TRACK
BLESSINGS NICKI MINAJ FEAT. TASHA COBBS LEONARD
FORTUNATE COMMON & PETE ROCK
GET IN WITH ME BOSSMAN DLOW
HISS MEGAN THEE STALLION
HUMBLE ME KILLER MIKE
NOT LIKE US KENDRICK LAMAR
PRECISION BIG SEAN
YEAH GLO! GLORILLA
BEST INTERNATIONAL FLOW
SDM FRANCE
LEYS MC FRANCE
RACIONAIS MCS BRAZIL
BUDAH BRAZIL
GHETTS UK
BASHY UK
STEFFLON DON UK
MAGLERA DOE BOY SOUTH AFRICA
BLXCKIE SOUTH AFRICA
ODUMODUBLVCK NIGERIA
Fans can start voting for DJ of the Year, Producer of the Year, and Best Hip Hop platform categories starting Friday, September 20 at Noon ET athttps://www.bet.com/votehha24
Connie Orlando, EVP of Specials, Music Programming & Music Strategy, will oversee the production of the annual event and serve as Executive Producer with Jamal Noisette, SVP of Specials & Music Programming. Jesse Collins, CEO of Jesse Collins Entertainment, will act as Executive Producer for “BET Hip Hop Awards” 2024, with Jeannae Rouzan-Clay and Dionne Harmon from Jesse Collins Entertainment also contributing as Executive Producers.
Tony winner Kecia Lewis (Hell’s Kitchen) has joined the Tracy Morgan-led cast of Paramount+ new multi-camera comedy series Crutch, an offshoot from CBS’ long-running sitcom The Neighborhood, which has started filming in New York.
Developed by Owen Smith, who will serve as showrunner, Crutch centers on Francois “Frank” Crutchfield (Morgan), who goes by “Crutch,” is a brash, yet beloved Harlem shop owner whose world is turned upside down when his highbrow son (Jermaine Fowler) and free-spirited daughter (Adrianna Mitchell) move back into the family home.
Lewis will play Antoinette, Crutch’s (Morgan) meddling sister-in-law who, much to his chagrin, has inserted herself as the de facto matriarch of the Crutchfield clan. Elegant, worldly, and self-righteous Antoinette is a long-time divorcee whose life revolves around her weekly hair appointments and her job as a correctional officer at Rikers Island. However, when her sister’s children come back to Harlem with their lives in disarray, she’s happy to step in to help – even if she has to deal with Crutch in the process.
The Neighborhood star Cedric the Entertainer and Eric C. Rhone executive produce Crutch via A Bird and a Bear along with Smith, Aaron Kaplan for Kapital Entertainment; Wendi Trilling for TrillTV; and Morgan. The series is produced by CBS Studios and distributed by Paramount Global Content Distribution.
Broadway veteran Lewis won a Tony, Outer Critics Circle, Drama Desk and Lucille Lortel awards for her role as Miss Liza Jane in the 2024 musical Hell’s Kitchen. Her TV credits include a major recurring role on NBC’s The Blacklist. She is repped by The Rosenzweig Group, Paradigm and imPRint.
Comedian George Lopez is preparing a new hour-long comedy special to premiere on Prime Video we learned.
Amazon MGM Studios and Travieso Productions are producing Lopez’s new hour, which is his first since We’ll Do It for Half for Netflix in 2020. Taping at the Dolby Theatre in Los Angeles on September 27 and 28, as part of Lopez’s “ALLLRIIIIGHHTTT! Comedy” tour, its premiere date will be announced down the road.
Breaking ground for Latino comics in a decades-long career spanning television, film, stand-up, and late-night, Lopez has previously put out four comedy specials with HBO — The Wall (2017), It’s Not Me, It’s You (2012), Tall, Dark and Chicano (2009), and America’s Mexican (2007) — earning Grammy nominations for the latter two. His stand-up output also includes Why You Crying?, an acclaimed comedy concert for Showtime, and a number of other comedy albums.
Coming to the attention of many with the groundbreaking hit sitcom George Lopez, which he co-created, wrote, produced and starred on for ABC, he’s most recently exec-produced and starred opposite his daughter Mayan Lopez on NBC’s sitcom Lopez vs Lopez, a fictionalized look at their real-life relationship, which returns for its third season on October 18. He also exec-produced and starred in TV Land’s semi-autobiographical sitcom Lopez, which ran for two seasons, and co-created and starred on FX’s Saint George.
At one point hosting his own TBS late-night talker, Lopez Tonight, Lopez last summer joined the DC Extended Universe with Angel Manuel Soto’s Blue Beetle. Other recent feature projects include Snoop Dogg’s Amazon MGM sports comedy, The Underdoggs, as well as the indie holiday comedy How the Gringo Stole Christmas.
Lopez is repped by UTA, 3 Arts Entertainment, and Schreck Rose Dapello.
Source: Deadline
Benito Antonio Martínez Ocasió — also known as the music artist Bad Bunny — has found his next onscreen role, joining the cast of Adam Sandler‘s Happy Gilmore sequel.
Kyle Newacheck, who directed Sandler in the Netflix comedy Murder Mystery, is helming the Netflix sequel to the 1996 comedy about a wannabe professional hockey player who discovers his talent in the game of golf and begrudgingly goes on tour only to become a sensation. Plot details for the sequel are being kept under wraps.
Julie Bowen and Christopher McDonald are back for the sequel, having starred in the original film, respectively, as Virginia Venit, Sandler’s onscreen love interest, and Shooter McGavin, a jealous golf pro and the film’s villain.
Camerashave started rolling on the comedy, with Sandler posting on Instagram Monday: “It ain’t over. The way I see it… we’ve only just begun.”
Sandler and Tim Herlihy wrote the screenplay and will also produce with Jack Giarraputo and Robert Simonds. Dennis Dugan, who directed the original Happy Gilmore, will executive produce with Judit Maull, Kevin Grady, David Bausch and Barry Bernardi.
As for Bad Bunny, repped by UTA and Rimas Entertainment, the film will mark his latest foray into onscreen roles. He previously appeared opposite Brad Pitt in Sony’s action comedy Bullet Train and Gael García Bernal in the Amazon drama Cassandro. Coming up, he has Darren Aronofsky’s crime thriller Caught Stealing at Sony Pictures.
In a Vanity Fair cover story published last year, the music superstar said, “You could say that I have been investing a little bit more of myself in acting.”
Source: The Hollywood Reporter
The staff of the fictional newspaper in Peacock‘s follow-up to The Office is growing.
The as yet untitled series from U.S. Office creator Greg Daniels and Michael Koman (Nathan for You) has added Melvin Gregg, Chelsea Frei, and Ramona Young to its cast. They join Domhnall Gleeson and Sabrina Impacciatore in the ensemble.
The series, which Peacock greenlit in May, is set in the same world as The Office and, like that show, will be a mockumentary. The show’s description reads, “The documentary crew that immortalized Dunder Mifflin’s Scranton branch is in search of a new subject when they discover a dying historic Midwestern newspaper and the publisher trying to revive it with volunteer reporters.”
News of the three additions to the cast was broken not in one of the industry trades but in the Palisadian-Post, a community newspaper serving L.A.’s Pacific Palisades where Gregg, Frei and Young recently shadowed staff members.
Gregg can currently be seen in another Peacock series, Fight Night: The Million Dollar Heist. His credits also include Snowfall and season two of American Vandal. Frei is konwn for Fox’s The Cleaning Lady and The Moodys and guest-starred in an episode of Peacock’s Poker Face. Young was a regular on Netflix’s Never Have I Ever and recurred on Legends of Tomorrow at The CW.
Daniels and Koman are executive producing the mockumentary with Ricky Gervais and Stephen Merchant — creators of the U.K. Office on which the NBC series was based — and Howard Klein, Ben Silverman and Banijay Americas.
Source: The Hollywood Reporter
Adrianna Mitchell has been cast in the upcoming Tracy Morgan comedy series “Crutch” at Paramount+.
Mitchell is the latest addition to the series’ cast, joining the recently announced Jermaine Fowler. The show was originally announced back in May with Morgan in the lead role and is said to be set in the same world as the CBS comedy “The Neighborhood.” Production is set to begin this month in New York.
The official logline for the series states, “Francois ‘Frank’ Crutchfield (Morgan), who goes by ‘Crutch,’ is a brash, yet beloved Harlem shop owner whose world is turned upside down when his highbrow son (Fowler) and free-spirited daughter (Mitchell) move back into the family home.”
Mitchell’s character is named Jamilah. She is described as “a free-spirited, naturalista with a dry wit and sharp tongue. Notoriously fickle, the most consistent part of her life was her 10-year marriage and the cozy suburban life she built for her husband and two kids in the Minneapolis suburbs. But when that starts to fall apart, she finds herself and her children Lisa, 12, and Mase, 9 back in Harlem at Crutch’s doorstep.”
Mitchell’s best known television role to date is playing Tanosse on the hit FX drama “Snowfall.” She has also appeared in shows like “Evil,” “The Good Fight,” “Little America,” and “Grey’s Anatomy.” She recently made her Broadway debut in the Pulitzer Prize-winning play “Fat Ham,” in which Mitchell played Opal.
She is repped by Artists & Representatives and Wright Entertainment, Inc.
“Crutch” is developed by Owen Smith, who serves as executive producer and showrunner. “The Neighborhood” star Cedric the Entertainer executive produces along with Eric C. Rhone under their A Bird and a Bear Entertainment banner. Morgan will executive produce in addition to starring. Aaron Kaplan of Kapital Entertainment and Wendi Trilling of TrillTV also executive produce. CBS Studios produces.
Paramount Global Content Distribution will distribute the series.
Source: Variety
SNL alum Jay Pharoah on Thursday announced Jared, a new comedy special to premiere on YouTube on September 22, also unveiling a trailer, which you can view above.
In his new hour, Pharoah delivers a fully charged performance, ripping the lid off pop culture, his suburban upbringing, and run-in with the law, all while sharing his unique perspective on self-discovery and resilience in a world that never stops laughing.
Taped at The Den Theatre in Chicago, IL, the special is his second on the heels of Showtime’s Jay Pharoah: Can I Be Me? (2015), which saw him perform his spot-on impressions of everyone from Barack Obama to Chris Rock and Dave Chappelle.
Produced by 800 Pound Gorilla and Premature Miracle Productions, Jared is directed by Pharaoh’s sister and manager, Shaina Farrow. Pharoah and Farrow exec produced alongside Adam Ginivisian and Jordan Levy.
A comedian, actor and master impressionist who was a cast member on Saturday Night Live for six seasons, Pharaoh after his run on that sketch series toplined White Famous, a Showtime comedy exec produced by Jamie Foxx. Also previously seen in ABC’s Emmy-winning Live in Front of a Studio Audience versions of All in the Family and Good Times, his film credits include Lionsgate’s horror comedy The Blackening, Justin Simien’s Hulu/Neon horror comedy Bad Hair, Steven Soderbergh’s Unsane, Comedy Central’s Out of Office (which he also exec produced), Universal’s hit buddy cop comedy Ride Along, and more.
Formerly the host and exec producer of Nickelodeon’s game show Unfiltered, Pharoah was over the summer seen hosting Fox’s The Quiz With Balls, a game show bringing the network its biggest summer debut in over two years. The comedic multi-hyphenate is represented by CAA, Shaina Farrow, Levity Talent, and Hansen, Jacobson, Teller.
Source: Deadline
Jamie Foxx is gearing up to address his widely publicized 2023 health scare in a brand-new one-man comedy show.
Earlier this week, the Oscar-winning actor and singer announced “One More Chance: An Evening with Jamie Foxx,” which will take place in Atlanta, Georgia, from Thursday, Oct. 3 to Sunday, Oct. 5.
In an Instagram post, Foxx teased the show with an image of a black box featuring the words “WHAT HAD HAPPENED WAS” before providing further details. “Join us for an unforgettable one-man show as Jamie Foxx takes the stage to share his journey through a serious health scare, filled with humor, heart, and inspiration!” the caption read. “Experience Jamie Foxx like never before in this intimate and engaging performance as he opens up about his struggles, triumphs, and everything in between. Get ready for a night of laughter, reflection, and genuine connection.”
James Earl Jones, the prolific film, TV and theater actor whose resonant, unmistakable baritone was most widely known as the voice of “Star Wars” villain Darth Vader, died Monday morning at his home in Dutchess County, N.Y., his rep confirmed. He was 93.
After overcoming a profound stutter as a child, Jones established himself as one of the pioneering Black actors of his generation, amassing a bountiful and versatile career spanning over 60 years, from his debut on Broadway in 1958 at the Cort Theatre — renamed the James Earl Jones Theatre in 2022 — to his most recent performance in 2021’s “Coming 2 America.” For that film, Jones reprised his role as King Jaffe Joffer from the 1988 Eddie Murphy comedy “Coming to America” — one of several roles, along with Darth Vader, that Jones revisited, including the voice of King Mustafa in Disney’s animated feature “The Lion King” in 1994, the 1998 direct-to-video sequel and the 2019 remake, and CIA deputy director Vice Admiral James Greer in three Jack Ryan movies, 1990’s “The Hunt for Red October,” 1992’s “Patriot Games” and 1994’s “Clear and Present Danger.”
Among his more than 80 film credits, Jones’ other notable movies include as a B-52 bombardier in Stanley Kubrick’s 1964 Cold War satire “Dr. Strangelove” (his feature film debut), as the first Black president of the United States in 1972’s “The Man,” as the fearsome villain in 1982’s “Conan the Barbarian,” as a reclusive author in 1989’s “Field of Dreams,” as a blind former baseball star in 1993’s “The Sandlot,” and as a minister living in apartheid South Africa in 1995’s “Cry, the Beloved Country.”
Jones was nominated for four Tony Awards, and won two, in 1969 for playing boxer Jack Johnson in “The Great White Hope” (which he reprised on film in 1970, receiving his only Oscar nomination), and in 1987 for originating the role of Troy Maxson in August Wilson’s Pulitzer Prize-winning drama “Fences.” He was nominated for eight primetime Emmy awards, winning twice in 1991, for supporting actor in the miniseries “Heat Wave,” about the 1965 Watts riots, and for lead actor in the drama series “Gabriel’s Fire,” about a wrongfully imprisoned ex-cop who becomes a private detective. It was the first time an actor won two Emmys in the same year.
Jones earned a Kennedy Center Honor in 2002, the Screen Actors Guild Life Achievement award in 2009, an honorary Oscar in 2011 and a lifetime achievement Tony Award in 2017. His Grammy award in 1977 for spoken word album makes Jones only one a handful of actors to receive an EGOT.
Jones’ looming yet ultimately affable presence and rich speaking voice made him a natural for Shakespeare, and he played some of the great roles, such as Macbeth and Othello, for Joseph Papp’s American Shakespeare Festival. Jones narrated several documentaries, from 1972’s “Malcom X” to the 2007 Disneynature doc “Earth,” and, famously, he intoned the tagline “This is CNN” for the cable news channel.
His television credits, which number over 70, including many movies and miniseries such as “Roots” and “The Atlanta Child Murders,” recurring roles on “L.A. Law,” “Homicide: Life on the Street” and “Everwood,” and guest roles on shows like “The Simpsons,” “Picket Fences,” “Law & Order,” “Frasier” and “House.”
As for his most famous role, Jones was paid $7,000 to lend his voice to Darth Vader in 1977’s “Star Wars: A New Hope,” but he declined screen credit for that film and its sequel, 1980’s “The Empire Strikes Back,” out of deference to the actor who played the role on screen, David Prowse. By 1983’s “Return of the Jedi,” however, Jones had become fully synonymous with one of the most memorable and terrifying villains in cinema history, and received credit for his work. He returned to lend Vader’s voice again for 2005’s “Episode III — Revenge of the Sith” and 2016’s “Rogue One: A Star Wars Story,” but for the 2022 Disney+ series “Obi-Wan Kenobi,” Jones instead authorized Lucasfilm to use archival recordings and AI technology to recreate Vader’s voice.
When asked in 2014 by the New York Times about how he’d kept his career alive for so long, Jones’ response evoked the kind of plainspoken humility that he had so often brought to his performances as well.
“The secret is never forgetting that you’re a journeyman actor and that nothing is your final thing, nothing is your greatest thing, nothing is your worst thing,” Jones said. “I still consider myself a novice.”
James Earl Jones was born in 1931 on a farm in in Arkabutla, Miss. His father, Robert Earl Jones, left home soon after to pursue his own acting career (the two more-or-less reconciled when the younger Jones was in his 20s, and they even performed together). When Jones was 5, he moved with his maternal grandparents to Michigan. The shock of the relocation induced a stammer so severe that he often could communicate only in writing. It wasn’t until high school when he started to overcome his stutter, when his English teacher, upon learning that Jones composed poetry, encouraged him to read his writing aloud in class.
As an undergraduate student at the University of Michigan, Jones initially set out to study medicine, but wound up more interested in drama. His first stage role was a small part in the 1957 Off Broadway production “Wedding in Japan.” He took side jobs to supplement occasional theater work in Broadway’s “Sunrise at Campobello,” “The Cool World” and “The Pretender.” He also appeared in summer stock.
In 1960, Jones joined Papp’s New York Shakespeare Festival. The following year he made his first serious impact in a landmark Off Broadway production of Jean Genet’s “The Blacks” as the protagonist Deodatus. Afterwards, for Papp, he played Oberon in “A Midsummer Night’s Dream,” the first of many heralded Shakespearean turns. His masterful 1964 performance as Othello for Papp was moved Off Broadway, where the production ran for almost a year.
Jones’ first big break into cinema came by way of Papp’s production of “The Merchant of Venice,” in which Jones played the Prince of Morocco to George C. Scott’s Shylock. When Stanley Kubrick came to see Scott, whom he was considering for one of the leads in “Dr. Strangelove,” the film director was so impressed that he cast Jones in the film, too. In 1966, Jones had the title role in “Macbeth” at the New York Shakespeare Festival, again to great acclaim. He also booked a recurring role on “As the World Turns” in 1966, marking the first time a Black actor had a continuing role on a daytime soap opera.
Still, he was almost one of Broadway’s best-kept secrets until 1968, in Howard Sackler’s “The Great White Hope” as Jack Johnson, the first Black man to win the world heavyweight boxing championship. The Tony, the acclaim and its timing in the late ’60s propelled Jones into the spotlight at a time when it was difficult for Black actors to secure quality roles. But the actor, however, has said that the accolades he received for for both the play and its film adaptation did not do that much for his career.
It wasn’t until 1977, when Jones’ voice terrified audiences for the first time as Darth Vader, that things truly began to shift for him. That same year, Jones also appeared in ABC’s “Roots” playing the author Alex Haley, whose genealogical novel of the same title inspired the groundbreaking miniseries. He never quite became an outright star in the classic sense of the word, but the back-to-back successes that year did ultimately make Jones a household name, whose presence connoted a stature and gravitas to projects that might otherwise be lacking.
Theatre is where Jones most frequently was a box office draw in his own right — and well into his 80s. He returned to Broadway in 2005 for a production of “On Golden Pond” opposite Leslie Uggams, drawing another Tony nomination. In 2008, he played Big Daddy in a production of Tennessee Williams’ “Cat on a Hot Tin Roof” that featured an all-Black cast including Terrence Howard, Anika Noni Rose and Phylicia Rashad.
Two years later, he returned to Broadway in a revival of “Driving Miss Daisy” opposite Vanessa Redgrave; the production’s move to London in 2011 meant he had to miss the Honorary Oscars ceremony in Los Angeles. Instead, Sir Ben Kingsley surprised Jones with his statuette in person after he’d concluded a matinee performance of the show.
Jones was first married to actress-singer Julienne Marie. His second wife of 34 years, actress Cecilia Hart, died in 2016. He is survived his son, Flynn Earl Jones.